Procedural texture maps can be built in OSL, but the outputs need to be connected to a standardised, renderer-independent material like a Physical Material. Arnold shaders, as well as the combination of Physical Materials and open shading language (OSL) nodes, help speed up this process, especially for more complex materials like fabric. Using Substance Designer and Substance Painter, Ciro and team then begin look development, creating and tweaking materials in 3ds Max. At each stage you can recompute the mesh and re-assess the model. Different modes for the subdivide modifier, such as adaptive or variable curvature, help to finally result in a uniform triangulated mesh. Users can also improve the uniformity of the face area with these tools by subdividing the original mesh to get rid of long thin triangles. The translation of the CAD file to the mesh can cause small, hard-edged sliver faces, for example, and unnatural sharp edges that the retopology tools aim to rectify.
The geometry is organised into layers and cleaned up using the retopology toolset in 3ds Max. From there, they link or XREF them to make sure everything is in the correct position and merge them if necessary. Most of Ciro’s projects begin with an Autodesk Revit or Rhino file, with reference materials and other information from the client, which he and the team then clean up and bring into 3ds Max. Combining familiar 3D software with newer techniques, the pipeline he is developing for the studio using Autodesk 3ds Max and Arnold supports a flexible workflow capable of outputting images with a very high degree of photorealism. The studio’s pursuit of innovation is evident across its project portfolio, and driven partly by staff members like Ciro Cardoso, an experienced studio artist. For most marketing projects, photorealism is the ultimate goal, which the studio has been working toward by increasing its commitment to R&D in recent years. Illustration studio Hayes Davidson in London works with architects, real estate developers and designers to turn their visions into CG visualisations that communicate their ideas to clients.
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